This was one of my favourite set pieces in the original movie so I was very happy to be charged with the task of prevising it.
One of the problems I struck In this sequence was getting the T Rex to circle around the stalled jeep so we could line her up for the classic “monster face through the window” moment.
Because we edit down the original scene to it’s essential elements this can sometimes create editing and continuity issues which need to be resolved in previs.
This is why it’s essential for a good previs artist to be well grounded in cinematic conventions.
The initial previs took three days.